The Spark Archive

I spent some of my happiest hours at Yahoo! working on a blog called The Spark. It was a feature of the Directory — remember that? When Yahoo! started out as a directory of web sites and a bunch of “surfers” (that’s an embarrassingly dated job title, not just embarrassingly dated lingo) used to organize them into categories and highlight especially good ones? Yep, that was my job (which was fascinating and exhausting and generally amazing, by the way). We found some fantastically cool stuff, weird stuff, stuff that people just had to see… and for five or so years we ran a daily blog to make sure they did see it. The strange niche interests, the future trends, the stuff that excited us just to know that it had found a home on the web. It was tremendous fun to work on, and not just because I got to spend some of my professional time writing and editing. But eventually things changed, as they are wont to do, and The Spark got The Axe. Some time later, something went awry with the server or maybe the publishing tool. All The Spark’s lovely links went boing… but by then Yahoo! had moved on: it didn’t care that all its old Sparks were broken.

I put a lot of energy into that blog, though. I want to preserve my piece of it. (I wish I could preserve the whole thing, but I’d only saved my own posts before the lights went out.) I’m archiving my posts here, assuming I can make the files work without having to recreate the html. If it comes to that, I’ll probably just take fond strolls through the Wayback Machine

Writing Outside My Comfort Zone

goldmakeup(photo by Courtney Rhodes)

A friend is launching a beauty magazine and needed content to put together a couple sample issues, so I volunteered. However, aside from the occasional waiting-room browse of outdated issues of Glamour or Cosmo, the last time I read beauty mags was… um, does Sassy magazine count? That would be back in about 1989.

Fashion has never really been my thing (just ask anyone who knew me in junior high… or high school… or, okay, at any point since I was old enough to dress myself). I’ve always preferred kooky thrift-store vintage and/or t-shirts and jeans. If you don’t count lip balm and matte powder, I wear make-up about three times a year. Nonetheless, I’ve spent the last week researching and writing about metallic makeup. I looked at loads of pictures, read up on trends, watched demos. I tried to absorb as much beauty-industry lingo as possible. (It did actually make me want to try on some make-up, but I only made it as far as lip stain.) It was weird, to say the least.

Aside from being reminded that lots of women (and some men) spend a whole lot of time thinking about this vast industry of toners and primers and foundations and curlers and shadows and bronzers and things to which I am normally oblivious, I also remembered how challenging and enlightening it can be to write outside my comfort zone. I used to work on a blog where I’d write a post every week on something new or niche or strange. It was educational for me (and my readers, I hope) and good mental exercise. I need to get back into shape for that kind of writing, especially since I’d like to pick up some freelance assignments.

So… anybody out there need articles about… I don’t know, geophysics? Deep-sea diving? Train engine repair? I like a challenge.

Don’t Eat These Words

My writing teacher is retiring after our class. (He promises he made the decision before the term even started, and it was not a result of our terrible writing.) To remind him what he’ll be missing, I made him a cake, designed to look like the last page of an awful manuscript full of all of his most-despised student errors.

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He couldn’t quite bring himself to eat “The End.”

Fresh Eyes

Over the last few months my writing time has been focused on novels (a work in progress and homework for class), but today I returned to the picture book that’s been *this* close to being finished for an embarrassingly long time. Fresh eyes and a change of pace did the trick. I chopped two more stanzas, bringing it down to a mere 20 (pretty reasonable for a 32-page book), and 849 words! I also managed to add a line where acrobats capture an evil clown with hula hoops. I must have been inspired by taking a circus class with my kids last week.

I may change my mind tomorrow, but at this moment I’m actually thinking I might be ready to start sending some queries. Of course, I’d absolutely love any last-minute test-readers. It only takes a few minutes to read — no novel-length commitment here! — and I’m not looking for line-by-line edits or anything. Any feedback at all is welcome. Any volunteers?

Snip, snip, snip

I did some editing on my too-long children’s book. Killed some darlings, as they say. It’s down to 934 words, which might still be too long, but hopefully won’t make agents or editors trash it just on the basis of word count without even reading it. I don’t think I cut anything too important to the plot — I have to remember that the illustrations will help tell the story.

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(Not this illustration, mind you. This is my own VERY rough sketch of Ivan the knife-thrower and his assistant.)

My favorite line that didn’t make the cut:

The audience would never see, from over in the stands / The curtain cord betwixt the wicked trickster’s vicious hands.

(How often do you get to use the word “betwixt”? Not today for me, I guess…)

Reader Unlikely to Care About Little Miss Smug*

*Actual note from my writing teacher on my first chapter. (I’m just hoping he was talking about my narrator.)

Well, I had my first critique in my writing class today, and I survived, though I’m not sure my novel will — at least not in its current form. My classmates were mostly encouraging, but the teacher had a big problem with the voice of my narrator. I had worried that she might be unlikeable because she’s snarky and judgmental and more than a little bitter, but he was more concerned that writing it in her voice would alienate readers, that she was like being pinned down by an obnoxious person at a party who invades your personal space to rant at you. He’s got a point, though I admit I quite like listening to snarky people rant (when I can close the book/browser to shut them up). Being so inside her head makes it hard to see the rest of the characters or the world they’re in.

At least I’m only about 40 pages in, so rewriting now is better than having to rewrite a whole novel…

A Year Without My Dad

I don’t like commemorating sad anniversaries or dwelling on lost loved ones’ deaths. I want to – I try to — remember them for their lives instead, to focus on happier memories. But some anniversaries are too big to ignore, and all I can think about today is that the world has been a little dimmer in the last year without my dad in it.

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A year ago today we were just sitting down to a jet-lagged breakfast after a red-eye back to London from a week-long visit in Ohio. We’d spent lots of time with Al, and though he wasn’t feeling great he had a good time watching the kids. Mischief (that’s the codename for the 5-year-old supervillain-in-training) was running around like a wild thing, and Mayhem (the gleeful 1.5-year-old agent of chaos) gave his grandpa some cuddles and lots of smiles. It was a sad goodbye, knowing we wouldn’t be home for Christmas, but we promised we’d see him in February and we’d call when we got home. Instead Uncle Ralph called us as we sat down to a breakfast that we’d never eat.

Twelve years ago when Rachel died – Rachel, my best friend since we were 12, the other half of my brain, the person I’d most shaped and been most shaped by during the years when it matters most, like two trees growing entwined in each other’s roots – it was Al who held me up. He literally held me up, in a fierce bear-hug, while he told me the news in a shaky voice into my ear, “Rachel’s dead,” and the world went out from under my feet.

No one held me up when Uncle Ralph broke the news about Al, though I know he wished he had me in a bear-hug when he called me that morning. My husband would have, of course, but he was keeping the kids from harassing me, because he could tell by my voice from the other room that it was something serious. When I dropped down to the floor, pressed between a radiator and a bookshelf, all I wanted was to feel my dad’s big, strong bear-hug again. I want it now. Every time I’m sad.

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I want to squeeze him and tell him he’s going to be okay. I want to nag him to take better care of himself, to call me instead of always waiting for me to call him, to go visit his dad and his sister and brothers. I want to talk about baseball. I want to tell him stories about what his grandkids are doing, and translate for him when Mischief tries to tell him stories on the phone, but she’s hard to understand because of the accent and the distance. I want to make him peanut butter cookies for his birthday. I want him to give us tours of his garden, even in the shaky, wheezy, old-man way of his last few years while he was sick.

Most of all I want him to be not just alive, but younger and stronger and happier than he’d been since he got sick – the real Al. The Al I grew up with. The one who outran guys 20 years younger than him on the softball field. The one who taught me to climb trees and use power tools and ride a bike and build sand castles. The Room Dad in elementary school, the softball and Odyssey of the Mind coach, the substitute dad to all my friends and the neighborhood kids. The guy who could spend the whole day walking his mail route, often in terrible weather, and still have the energy to have snowball fights or help me practice pitching. I want that Al back, because I’ve got a couple kids here with boundless energy who don’t even know about all the good Grandpa Al stuff they’re missing out on. And that breaks my heart all over again.

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I’m sorry to be such a downer today. Tomorrow I’ll cobble together some semblance of cheer, but today isn’t the day for that. Today I’ll look at family photo albums, wear Al’s Browns shirt, drink some crappy beer in his honor, and have a good weep. I miss you, Daddy.

I’ve Got the Picture Book Word Count Blues

Woohoo! I’ve finished another revision of my current favorite children’s story, made some brutal edits to reduce the length, and when I read it aloud a few times, it sounded pretty good. I’m usually very critical of my own work, so when I get something to the point where I actually like it, I’m flying high. Hey, if I like it, this thing must be half-decent!

And then I started looking for agents to query. Wheeee! There goes the rollercoaster right back down again. First off, even among kidlit agents, there aren’t many who want picture books for older kids (the upper end of the PB market, that is: 4-7-year-olds). Of those, most don’t want rhyming books. And no one, anywhere, seems to want a book of more than 1,000 words – 400-600 seems to be what they’re looking for. Mine’s nearly 1,200, in rhyme, after serious editing. Damn.

Now, don’t get me wrong – I love a good minimalist picture book. Some stories, even for older kids, just don’t need a lot of text. “I Want My Hat Back” and “Don’t Let the Pigeon Drive the Bus!” are two current faves in our house, and they’re 253 and 161 respectively. Plenty of books that seem longer (but are still in the acceptable bedtime-story range) are 800-900, like the Octonauts books, the longer Julia Donaldson books, and plenty of fairytales.

Some classic children’s books have much, much higher word counts and can evoke a feeling of dread when bedtime is already being dragged out and the kid announces, “Let’s read Eloise!” I love Eloise, but at over 3,000 words it’s a bit much for sleepy parents. Same goes for “Dr. Seuss’s Sleep Book,” which at 1,700+ can put the entire family to sleep, including the person reading it from memory with their eyes closed. (Note that the four-year-old’s attention span is not a problem with these longer books – though she’s a little bookworm and we read lots of chapter books to her with no attention problems.)

But some of my very favorite (rhyming, no less!) books are above the desirable 600-word ceiling and definitely don’t feel too long for bedtime. “Bubble Trouble” is 832, “Iggy Peck, Architect” is 699, “The Pirate Cruncher” is 928. Maybe these are exceptions, but it seems to me that lots of favorite books in our household are in that general range. I’m not saying that my book is as good as those examples (and thus should also be an exception), just that there clearly is a market for books of that length, so it’s frustrating that agents/editors don’t want them. I know it’s about trends in publishing and shorter books are in favor right now, but I’m left feeling frustrated and disappointed that the book I really wanted to write, that I thought I wrote pretty well, probably doesn’t stand a chance.

I haven’t even sent a query letter and I’m already feeling rejected.

Stealing the Show

I’ve always got a few projects going at once, but at the moment the one I’m most excited about is Stealing the Show, a rhyming, tongue-twisting, circus-themed children’s book. (Young trapeze star Arabella is fearless at great heights — but will she be brave enough to save Edric the elephant trainer from being squashed when a jealous clown tries to steal the show? Or, to put it in verse:

A dazzling trapeze artist. Her kind but stage-shy sweetheart.
A jealous scheming clown who plots to keep the two apart.
A roaring sell-out circus crowd. An elephant with vertigo.
Tonight under the big top lights, just who will steal the show?)

It’s a picture book for the older end of the picture-book market, and back in my days of seemingly endless free time (before children), I’d have illustrated the thing myself, but I’m a sloooooow artist now. Luckily I know professional artists, like the talented Derek Evernden (really, he’s good: go check out his portfolio and hire him for fun artistic jobs!), who is working on some illustrations. I’m really excited right now because I’ve just gotten a look at his first sketches and they’re great — plus it’s so cool to actually see the characters and scenes that only existed in my head before. It’s a strange and thrilling thing seeing someone else’s visions of your brain. Maybe we’ll share some of his images later in the process, but it’s a bit early still.

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(This is not one of his illustrations. His are better: for example, not blurry. This photo is from when I overcame my clown-phobia and made my first-ever trip to a circus this summer. It’s just setting a circussy tone.)

Anyway, I’m always looking for test-readers, so if any of you are fans of the genre (you know, that cliched tongue-twisting-rhymes-about-murderous-clowns genre) or have 4-7-year-old captive audiences, let me know if you’d be up for trying it out and sending any feedback! Thanks :-)